film | The European Conservative

“Conservatives can change their ways—or they can be replaced”—Essayist and Culture Critic Titus Techera

Álvaro Peñas November 21, 2025

“There are millions of people interested in ‘right-wing culture,’ but they have nothing to do with conservatism.”

Trump’s Proposed Tariffs on Foreign Films Threaten Industry

Zolta Győri May 5, 2025

As Hollywood declines, some question if foreign studios are to blame—or its own push for woke propaganda.

Films To Fume About: Mary and Conclave

Roger Watson April 13, 2025

These films remind us of the importance of respecting the sacred narratives they seek to portray and leave the viewer pondering the line between artistic license and misrepresentation.

Toutes pour une: Using Tax Money To Turn a Beloved Classic Into a Woke Flop

Hélène de Lauzun January 28, 2025

Replacing the three musketeers with African immigrant women did not convince French cinema audiences.

Alain Delon, the Last Leopard

Hélène de Lauzun August 19, 2024

Alain Delon was a real man, the likes of whom we are incapable of producing today, and that’s what makes France’s tears so bitter.

Eco’s Error; Or, Why Some People Like Casablanca

Robert Lazu Kmita April 7, 2024

Casablanca is not about passion, but about altruistic love, animated by the rare spirit of sacrifice.

Kwieciński Triumphs with Tyrmand’s Filip

Filip Gaspar December 9, 2023

The success of Filip is that it combines the moving and the dramatic in perfect harmony.

Ridley Scott’s Napoleon Is an Unmitigated Disaster

Paul du Quenoy November 26, 2023

The inaccuracies are so numerous and glaring that an entire film could be made to document its errors alone.

Keys to the Kendom

Carlos Perona Calvete August 12, 2023

In the Barbie sequel, Ken—the avatar simp of Western man’s collective unconscious—emerges into the physical realm to claim his birthright.

Ridley Scott, Hitler, and Napoleon: Chipping Away at the Imperial Legend

Hélène de Lauzun August 12, 2023

In history, there are disputes over interpretation, but there are also things that can be said, and others that cannot. By lumping Napoleon in with Stalin and Hitler, Ridley Scott has crossed a red line.

Tag: film

Trump’s Proposed Tariffs on Foreign Films Threaten Industry

Films To Fume About: Mary and Conclave

Toutes pour une: Using Tax Money To Turn a Beloved Classic Into a Woke Flop

Alain Delon, the Last Leopard

Eco’s Error; Or, Why Some People Like Casablanca

Kwieciński Triumphs with Tyrmand’s Filip

Ridley Scott’s Napoleon Is an Unmitigated Disaster

Keys to the Kendom

Ridley Scott, Hitler, and Napoleon: Chipping Away at the Imperial Legend

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