Alain Delon, the Last Leopard
Alain Delon was a real man, the likes of whom we are incapable of producing today, and that’s what makes France’s tears so bitter.
Alain Delon was a real man, the likes of whom we are incapable of producing today, and that’s what makes France’s tears so bitter.
Casablanca is not about passion, but about altruistic love, animated by the rare spirit of sacrifice.
The success of Filip is that it combines the moving and the dramatic in perfect harmony.
The inaccuracies are so numerous and glaring that an entire film could be made to document its errors alone.
In the Barbie sequel, Ken—the avatar simp of Western man’s collective unconscious—emerges into the physical realm to claim his birthright.
In history, there are disputes over interpretation, but there are also things that can be said, and others that cannot. By lumping Napoleon in with Stalin and Hitler, Ridley Scott has crossed a red line.
What do we do when we realize that we understand neither ourselves nor our world? Anderson thinks the answer is the same, whether in life, faith, studies, or art.
A seeming joke about two movies, Barbie and Oppenheimer, is actually pointing to a renewal of American cinema that may be on the horizon.
After complaining that the ministry of culture was attempting to suppress the film, director Carlos Hernando has made it free to host, download, and reproduce.
The Magnificent Ambersons engages with issues of technological and social change in modernity. But it is also a very human story, focusing on a single family, detailing the lives of its members as change rocks their way of life
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