When I first heard Elendil’s line in the third teaser trailer, “The past is dead, we either move forward or die with it,” I became fixated with the whole carnival surrounding Amazon’s billion dollar creative venture—how could it be that J.R.R. Tolkien, a Tridentine-Mass-loving skeptic of modernity was providing the aesthetic and imaginative fuel of woke intersectionalists and activist ideologues in Hollywood?