The three poets in Gerytades, like many politicians, find themselves on the cusp of success—but their decisions damn them, so they must trundle back home, thinking of ways to spin their failure into victory.
In a statement, Radziwiłł accused Strzępka of a “complete departure from the tradition of this cultural institution” and of “promoting a repertoire with one ideological line.”
The theatre production scraps what made its protagonist so inspiring in the first place: the very fact of her feminine nature—a young girl who put her virtues to work within a male-dominated field.
