These films remind us of the importance of respecting the sacred narratives they seek to portray and leave the viewer pondering the line between artistic license and misrepresentation.
When the past is judged by the harsh standards of the present, the history of the West becomes little more than a history of oppression of weaker groups by dominant European ethnicities and countries.
Kuper’s way of commending Paris in its current direction ultimately reflects the naiveties and delusions of those who set it on this trajectory in the first place. There is a belief that urban planning projects can serve as a way to tame and pacify the city’s riot-ready ethnic youth. It takes a certain level of insular Parisian elitism to believe that radicalized hoodlums, whether into vandalism or Islamism, will be assuaged by city libraries, greenery, and sporting grounds.
Israel’s fight against Hamas is not just about survival—it’s a pivotal battle for the future of Western civilization.
In Living Law, Butler’s poetry demonstrates an exceptional facility with form and an unerring ear for the natural rhythm of language.
Gorrie’s Ōsweald Bera is the best introduction to Old English currently on the market.
This group of artists rejects postmodernism. But what values do they affirm?
From subpar production to uninspired performances, this Tosca revival misfired.
Tim Carney’s new book, Family Unfriendly, examines various factors at play in the West’s demographic crisis.
Alexander Wienerberger told the world about the Holodomor. Now, his great-granddaughter Samara reminds us of her ancestor’s courage.
To say Netrebko is a star is a marked understatement.
Banalysis was published in the shadow of the tsunami of stupidity that became the ‘pandemic’ and all that ensued. It did not get the attention it deserved then. It deserves to be read now.
