Paris Opéra’sTristan Sounds Good but Has Seen Better Days
The score of Tristan, an opera that commands what Dudamel claims to be his obsession, radiated brilliantly with a fine Gallic touch from the Opéra’s orchestra.
The score of Tristan, an opera that commands what Dudamel claims to be his obsession, radiated brilliantly with a fine Gallic touch from the Opéra’s orchestra.
In this biography, Christopher J. Farrell describes an extinct species—a muscular liberal and hardcore anti-Communist. It is interesting to read about a man like Earle in an era where, according to progressives, there are mere inches between calling for tax cuts and becoming Hitler.
A Pulitzer-prize winner chronicles Oswaldo Payá’s lifelong struggle to bring democracy to Cuba.
Fighting Back does more than simply hope that the dire state of our culture can be reversed. It offers practical strategies, across every aspect of life, for turning things around and emerging victorious.
Jesus Christ died unlike he had lived: politically. D. L. Dusenbury urges us to reassess the gospels.
Are comics, as some Francophones argue, a distinct ‘9th art’? In the first of a monthly series, Felix James Miller argues they are and introduces readers to some of the delights of the art form.
The theology of St. Thomas Aquinas is suitable for leading today’s secular and increasingly godless world back to the salvation of the Gospel.
Dante’s La Vita Nuova is indisputably the work of a young man, a man whose passions (and poetic compositions) are still discovering the place they ought to have in the world. Thankfully, though, Dante’s ‘immature’ juvenilia is far greater and more penetrating a work than most poets can ever compose in the entire course of their lives.
An apt but uncharitable description of Medea’s incongruities might paraphrase Woody Allen’s description of a monster as a being with the body of a crab and the head of a social worker to say that Cherubini’s work sounds like a Mozart opera with a Beethoven overture.
Social justice activism is a religion in that it provides a set of beliefs. These beliefs are to be accepted unquestioningly, and a common language develops between the people involved by which they may identify one another and interrogate and expel heretics.
We witnessed a prolonged curtailment of freedom of movement, freedom of association, and freedom of speech. But Mark Woolhouse does not address this. In fact, while he clearly comes out as lockdown sceptical, it is not entirely clear why.
Louise Perry is both predicting and calling for a counter-revolution, likely led by the “Gen Z women who have experienced the worst of it.”
The novel treats Britain’s past with the utmost respect it deserves; the regency world is presented to the reader in all its glory. Susanna Clarke does not betray its spirit by infusing it with modern culture, unlike so many other representations of the period.
Tobias Kratzer successfully framed the tale’s tension between the temptation of lustful vice and the promise of salvation as a modern ‘crise de conscience.’
Reading Sigrid Undset’s trilogy challenges readers to confront their own moral vacillations and need for constancy.
Hypersensitivity forces beauty into a politically-correct straitjacket. It is hardly surprising that such straitjackets kill beauty, for what cannot breathe, cannot live.
Oriental Jews may well have been discriminated against throughout Israel’s early decades, but Michale Boganim’s latest documentary vastly exaggerates their current plight.
If the Church as we know it is to survive, it must change course immediately. I have no doubt that in any future attempt to salvage what is left of it, Kwasniewski’s analyses will be invaluable.
The 2-hour documentary “Pandamned”by Dutch filmmaker Marijn Poels is a colossal undertaking aiming to summarize and assess overall socio-political developments of the past few years.
Continetti’s history of the first hundred years of the American right holds lessons for the next hundred.
Christ’s parables, such as “The Laborers in the Vineyard,” “The Sower,” and “The Hidden Treasure” serve as a basis for Fr. Sirico’s advice on investing, enterprise, and the value of hard work.
Lewis wants his readers to re-examine our presumptions about everything from modern education and science to ‘the West’ and contraception. Recognizing this can help us understand why the novel has so divided readers.