Censored for “Safety”: Swedish Cultural Centre Cancels Iran-Critical Artist
MEP Charlie Weimers: “It is pure censorship. Ahmadi makes it clear that this is not a criticism of Islam but of political Islam, veiling, and the regime in Iran.”
MEP Charlie Weimers: “It is pure censorship. Ahmadi makes it clear that this is not a criticism of Islam but of political Islam, veiling, and the regime in Iran.”
The director had come under sharp criticism for not having taken seriously warnings of possible thefts at the museum.
It’s a safe bet that Archbishop Ulrich and his acolytes never asked themselves about the transmission of the faith and the salvation of souls when approving these supposedly aesthetic choices.
The conservative tendency to leave the public square and the realm of art—the mural—blank for someone else to paint on has done society no favours.
The most important thing for Scruton was to show that beauty can lead us from worldly concerns to the most important themes of our lives.
Museum President Laurence des Cars described this as a positive “symbol” in “a sea of sadness and desolation.”
The lord of the underworld and his Persephone stand before the stark fruits of Puritanism and modern industry.
By locating the essence of traditional architecture in the primacy of character over concrete—the pattern we see over the material we don’t—Semper championed particularity over uniformity.
The one question that Christianity-hating MEP Malin Björk does not want to ask is: what would replace Western society if she got what she wanted? A new Soviet Union? An Islamic caliphate? In which of these would Malin Björk be treated better than in the very Western society for which she has such deep disdain?
The courage of George combined with the inexorable force of his white charger as they form a single centaurial juggernaut of unstoppable power is a perfect portrayal of Christian meekness.
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