

Ridley Scott’s Napoleon Is an Unmitigated Disaster
The inaccuracies are so numerous and glaring that an entire film could be made to document its errors alone.
The inaccuracies are so numerous and glaring that an entire film could be made to document its errors alone.
In the Barbie sequel, Ken—the avatar simp of Western man’s collective unconscious—emerges into the physical realm to claim his birthright.
In history, there are disputes over interpretation, but there are also things that can be said, and others that cannot. By lumping Napoleon in with Stalin and Hitler, Ridley Scott has crossed a red line.
What do we do when we realize that we understand neither ourselves nor our world? Anderson thinks the answer is the same, whether in life, faith, studies, or art.
A seeming joke about two movies, Barbie and Oppenheimer, is actually pointing to a renewal of American cinema that may be on the horizon.
After complaining that the ministry of culture was attempting to suppress the film, director Carlos Hernando has made it free to host, download, and reproduce.
The Magnificent Ambersons engages with issues of technological and social change in modernity. But it is also a very human story, focusing on a single family, detailing the lives of its members as change rocks their way of life
The nude form is regarded by conservatives, not as pornographic, but as a manifestation of beauty, innocence, and our divine origins. This applies to its representation in Romeo and Juliet, the story of an innocent love crushed by the wicked vanities of a corrupt society.
The film does a manful job depicting conditions from which few people escape alive, and no soul remains unscarred.
What commentators deem satire has been a reality for Catholics in Germany over the last fifty-some years: a cultural Marxism has been pushed into all dimensions of ecclesial life.