
Between Sensitivity and Beauty: Herzog’s Fitzcarraldo
Hypersensitivity forces beauty into a politically-correct straitjacket. It is hardly surprising that such straitjackets kill beauty, for what cannot breathe, cannot live.

Hypersensitivity forces beauty into a politically-correct straitjacket. It is hardly surprising that such straitjackets kill beauty, for what cannot breathe, cannot live.

“It’s not particularly about COVID, but about recognizing the patterns we are creating. I think that is the main topic in the film: people need to start seeing the patterns and recognize how they are being copied with every new global threat.”—Marijn Poels

Oriental Jews may well have been discriminated against throughout Israel’s early decades, but Michale Boganim’s latest documentary vastly exaggerates their current plight.

The 2-hour documentary “Pandamned”by Dutch filmmaker Marijn Poels is a colossal undertaking aiming to summarize and assess overall socio-political developments of the past few years.

The Lady of Heaven proved an affront to all branches of Islam for its showing of the prophet Muhammed—within the Islamic faith, any depiction of its founder is expressly forbidden.

Director Robert Eggers ventures into the world of Norse legends, blending the borders between myth and meticulously recreated reality. Spoilers ahead!

70 years ago Akira Kurosawa won the Oscar for his film Rashomon. In our world, that demands us to constantly pick sides, the tale of four different versions of a story, that questions our perceptions of reality and our inevitable subjectivity, is as current as ever.

Beware of those who would betray the proud Gascon. Obviously, Joe Wright, the American director who embarked on the highly questionable adventure of adapting Cyrano to the wokish style, must not have been aware of the risks involved.

Political satire is at its best when it transcends the limitations of partisan thinking. “Don’t Look Up” fails to do this.