The End of Love
The real tragedy of the red pillers is that they peddle a chronically limited view of masculinity as its pinnacle.
The real tragedy of the red pillers is that they peddle a chronically limited view of masculinity as its pinnacle.
In the Barbie sequel, Ken—the avatar simp of Western man’s collective unconscious—emerges into the physical realm to claim his birthright.
There is a dark fascination with incels in our culture, but narratives surrounding these disenfranchised young men fluctuate between the sensationalist and the downright stupid.
A truly virtuous masculinity would involve men becoming capable of imitating Andrew Tate and then willingly refusing to do so. For what could be less admirable than a man who publicly makes performative utterances against the villain while living vicariously through his exploits?
“Fear of risk, an exaggerated love of safety or health, are pathologies that threaten the very virtues necessary for civilizational and cultural survival”—Ted McAllister
Since the dawn of mankind, men have provided the raw material for human civilization and have ordered an often hostile and fallen world for human habitation. When this impulse is suppressed, the consequences can be grave.
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