Apocalyptic fiction will tend to promote either conformity or radicality, depending on whether the source of impending destruction is identified with the powers-that-be or some rebel force.
Netflix teams preferred to skip over Hidalgo’s Paris in order to better sell the dream, because the international community does not fantasise about the ecological and sustainable work of the socialist clique in power.
Nothing seems wrong with a discerning use of Netflix. But the company’s final goals, Chanot wishes to remind us, are anything but harmless and are bound to destroy the virtues we care to preserve within our families.
