
Indicted, Defiant Trump Rallies the Republican Party: A Report from Palm Beach
“The only crime I have committed,” declared former U.S. President Donald J. Trump on Tuesday, “is to fearlessly defend our nation from those who seek to destroy it.”

“The only crime I have committed,” declared former U.S. President Donald J. Trump on Tuesday, “is to fearlessly defend our nation from those who seek to destroy it.”

In Europe, revitalized theaters are announcing new seasons that New Yorkers can now only dream about. As New York looks ever more provincial, Paris, Berlin, and Milan are only some of those offering Anna Netrebko in star roles.

A step up from the very literal productions usually seen here, this co-production by Opéra de Monte-Carlo and San Francisco Opera removes the action from its usual eighteenth-century setting to the fateful year of 1914.

This is the Madama Butterfly we know and love—almost to the point of guilty pleasure.

The proverbial excrement hit the fan in Hanover, Germany last week, when the Hanover Opera’s award-winning ballet director and chief choreographer, Marco Goecke, objected in a most peculiar way to bad reviews of his work.

Having withstood the test of time, this fine revival of Dialogues des Carmélites should be a lesson to the Met Opera management as it seeks a new direction.

When the Russian Ball was founded during the Cold War, many Russians in Washington who attended came from the first wave of émigrés who had fled the Revolution to become patriotic Americans fighting against the communist terror that had seized their country.

The nude form is regarded by conservatives, not as pornographic, but as a manifestation of beauty, innocence, and our divine origins. This applies to its representation in Romeo and Juliet, the story of an innocent love crushed by the wicked vanities of a corrupt society.

The score of Tristan, an opera that commands what Dudamel claims to be his obsession, radiated brilliantly with a fine Gallic touch from the Opéra’s orchestra.

It is sad that we as a culture have become so desensitized that we do not even blink an eye at the relatively ‘tame’ nudity of Zeffirelli’s Romeo and Juliet.