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Sonnet Form Nixed from Exams: “Product of White Western Culture”
University of Salford has removed sonnets from its creative writing program exams in a bid to “decolonise the curriculum,” since they “tend to be products of white western culture.”
University of Salford has removed sonnets from its creative writing program exams in a bid to “decolonise the curriculum,” since they “tend to be products of white western culture.”
Today, the cultural warfare is nothing if not asymmetric. History and culture are important enough to merit a lively debate, but the one-sided onslaught on everything from Western art to our national heroes, thunders Murray, should not be indulged for a moment longer.
Our dreary present, in its moralizing arrogance, believes it can judge countless generations of our ancestors, while refusing to even try and grasp the spiritual richness of our past.
The notion that there are limits to our growth is holding the West in a psychological stranglehold. Whereas other civilizations are thriving, the West suffers from a weariness that stifles any belief in further progress. This weariness has had a name for almost 2,000 years: Acedia.
What the nine worthies provided was a thematically unified account, a sweeping narrative, from Homer through the Bible and into Christendom, which western Europeans could use to understand and in some wise enshrine the canon of their history. The question we may venture to ask, in whose answer we might come to understand our era and its place, is whether it is possible to discern modernity’s worthies.
The Arthurian legend, despite attempts to use it for other purposes, is a parable of a militant Catholicism that saved Western civilisation.
Islamic apologetics have, somewhat contradictorily, tended to ally themselves with a secular, Western academic drive to denigrate European culture and Christendom.