FROM THE FALL 2023 PRINT EDITION: A lesson that conservatives should learn is that inevitablists are always wrong in their manner of thinking.

Mary Harrington’s scorching polemic urges us to rediscover feminism’s reactionary potential. 

In Outside the Gates, Hackett reveals to us that transcendence is woven into social reality, most especially in that highest friendship which tyranny seeks to root out: the friendship of virtue.

Counter Wokecraft makes the case that woke strategies, “while tricky and manipulative,” are also “comprehensible, predictable, and able to be countered.”

Stories—whether of real or fictional events—hold a unique place in human life, delighting, causing wonder, captivating the imagination, purging the emotions, and even encouraging moral growth.

Curated by Eric Dubois, this exhibit holds a looking glass up to the earliest works of Blake and Mortimer’s creator, portraying him as a modern-day Homeric storyteller.

The reason why Lance Morrow matters is that he may well be the last living bridge to a bygone age in journalism.

While Biggar ultimately concludes that progressive discussions of colonialism are flawed and overly simplistic, he does not fall into the opposite extreme in favor of every aspect of Western colonialism.

Thanks to authors like Hazony, we can see more clearly the deceptive arguments of those who condemn the nation-state to either extinction by the verdict of history, or to extermination by means of a brutal imperial policy.

Following an unfortunate trend in European stage production, Warlikowski reduces Macbeth to a psychiatric diagnosis, with the characters exploring their pathologies in the confines of a mental institution.

Lessons from the shocking memoir of a top South African electricity executive.

In 42 short meditations on a wide range of topics, Hubert van Zeller presents the universal call to holiness by bluntly addressing common tendencies in man. His writing has a British 1950s charm, yet cuts to what is essential in a way that feels modern and relevant.

This graphic novel was clearly crafted by two men who share a love of older superhero comics, even as they used their work to interrogate the genre and the world that produced it.

What do we do when we realize that we understand neither ourselves nor our world? Anderson thinks the answer is the same, whether in life, faith, studies, or art.

Lobmeyr’s lighting creations can be found in some of the leading opera houses in the world.

The future need not be bleak, as Benson’s novel reminds us.

Although at first glance, The Island Without Seasons is merely an adventure story about a man trying to discover the lost city of Atlantis, it is ultimately about how the man’s search allows him to better understand himself and the world in which he lives.

In program interviews, director Marcin Łakomicki and conductor Markus Stenz suggest that Holländer is really about sexism in modern society and a reinforcement of gender roles. A modern European man educated in what passes for the humanities today might think so. But the deeper contexts are ignored.

A seeming joke about two movies, Barbie and Oppenheimer, is actually pointing to a renewal of American cinema that may be on the horizon.

It must not be forgotten that these people are less concerned with producing energy in ways that will allow us to maintain our standards of living and make economic progress than with being ‘anti-capitalist.’

The problem for libertarians is not that their ideology cannot inspire policy reform. Their problem is their lack of courage.