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Doth not Wisdom Cry?: Thoughts on Martin’s Sophia in Exile

It is no wonder that an un-Sophianic culture would promote enmity between men and woman, viewing history as a protracted conflict of the genders and marriage as a procrustean bed, with procreation contradictorily thought of both as unnecessary burden and selfish environmentally-harmful indulgence.

Carlos Perona Calvete —

January 8, 2022

nero

Nero: Naughty or Nice?

Even if many of the accusations against Nero could be described as ‘fake news,’ enough of them eventually piled up to undermine his reign. Last year’s exhibit at the British Museum explored the life and rule of this legendary emperor.

Paul du Quenoy —

January 6, 2022

Our Architecture is Not Just Physical:
On Félix Rodrigo Mora’s History of Romanesque Architecture

It is a mistake to assume that concrete rural scenes like those in the small Romanesque parishes Mr. Mora rightly celebrates, lead to appreciating life whereas, contrastingly, Gothic abstraction leads to a sort of world-weary sickness. This judgement assumes only two realities, body and mind, and pits these against each other.

Carlos Perona Calvete —

January 1, 2022

An Unpublished History of the Habsburg Empire

The author starts from the principle that the study of the Habsburg Monarchy has for too long suffered from an analytical bias: scholars have regularly considered the Empire as something external to the nationalities that suffered under its oppression. This perspective presumes that the weaker forces, compelled to develop defensive measures, became stronger, jeopardizing the Empire’s stronghold.

Hélène de Lauzun —

December 30, 2021

MetOp

A Good Enough Boris

Scheduled for only six performances (September 28-October 17, 2021), the Met chose, as a cost-cutting measure, to present Mussorgsky’s original seven-scene 1869 version of the opera. European houses and scholarly purists favor this original score, which is currently found in repertoires in London, Paris, Berlin, and St. Petersburg.

Paul du Quenoy —

December 29, 2021

A Light Out of the Prisons of Atheist Albania

It is almost as if Don Simon Jubani was prepared to be a political prisoner. His collaborators and admirers describe him as “a nut with a hard shell,” “tough,” “passionate for the truth,” “uncompromising,” “provocative and justice-seeking,” and “highly intelligent though impatient.” He was an athletic priest (a former soccer star) who ministered to five mountainous rural parishes in the Mirdita region before he was arrested in 1963. The toughness comes across in print.

Alberto M. Fernandez —

December 27, 2021

gyerek2

Repin Revisited

A major retrospective of the work of the Russian painter Ilya Repin (1844-1930) is being held for the first time in Paris at the Petit Palais from October 2021 to the end of January 2022.

Hélène de Lauzun —

December 26, 2021

Under Scrutiny: No International Right to Abortion

The judicial designation of abortion as a right leads to inevitable consequences in other legal spheres. “Failure to protect human life in one area of law will lead to failure elsewhere. Life must either be protected everywhere, or it is at risk everywhere.”

Marianna Orlandi —

December 19, 2021

RJ

Reviving a Classic Tragedy: Romeo and Juliet at The Royal Ballet

Early in his tenure, Dutch conductor Bernard Haitink had led one of the staples of the company’s ballet repertoire, MacMillan’s Romeo and Juliet, set to a score by the Russian composer Sergei Prokofiev. It was therefore fitting that a recent performance of this revival was dedicated to his memory.

Paul du Quenoy —

December 15, 2021

The End of Outremer

Canadian-Lebanese writer Nader Moumneh’s 2018 book fills a useful niche in that it is a sympathetic and detailed overview of the main Lebanese Christian military-political formation born during the Lebanese Civil War, a formation that became a leading Lebanese nationalist political party after the war ended.

Alberto M. Fernandez —

December 13, 2021

Misunderstanding Bannon

Unlike other ‘Bannon-watchers’—many of who seem unable to resist casting him as a Rasputin-like figure, while being simultaneously repulsed and fascinated by his insistence on speaking in symbolic and often apocalyptic terms—Teitelbaum approaches his subject from an unlikely angle.

Jonathon Van Maren —

June 19, 2020

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Issue 25, Winter 2023

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