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Net Zero: An Outcome Without a Process
It must not be forgotten that these people are less concerned with producing energy in ways that will allow us to maintain our standards of living and make economic progress than with being ‘anti-capitalist.’
It must not be forgotten that these people are less concerned with producing energy in ways that will allow us to maintain our standards of living and make economic progress than with being ‘anti-capitalist.’
The problem for libertarians is not that their ideology cannot inspire policy reform. Their problem is their lack of courage.
Benedict Rogers drives home the point that, in addition to the economic, social, and geopolitical concerns about China, there are human beings who are suffering as a result of lukewarm activity or, worse, benign acquiescence.
Hungary has produced singers who built international careers, and two of them were on hand to fill leading roles here.
Savvy and erudite writer Eduard Habsburg-Lothringen presents some essential principles of his family that lead to a better life … not just for princes, but for everyone.
A Europe without a common identity founded on Christian values is built on sand.
The series, which focuses on the adventures of the daring duo of Francis Blake and Phillip J. Mortimer, has a feeling, a style, all its own. Edgar P. Jacobs and his successors craft fully fleshed-out worlds that draw readers in, making us sad to leave at the end of each work.
Tiezzi’s production eschews the interpretive fripperies and psychological baggage common in contemporary Wagner productions in favor of appealing abstractions.
The Once and Future Roman Rite is an historical study and a call to action. The author writes that, “We are privileged to be living at a moment when it is possible for the laity and the lower clergy to be taking the steps needed to recover our glorious inheritance.”
Grafenegg has risen to become one of the finest regional European music festivals. The unique blend of nature, architecture, and music makes one feel as though the great romantics are still at home here.
One quibble with Eisenberg’s approach is that, in giving a vivid and political reading of the teachings of these philosophers, he occasionally simplifies them, perhaps out of prosecutorial zeal.
Paathan presents a challenge to any nationalism that supports a bureaucratic and utilitarian approach. Instead, it shows that community and human dignity are compelling reasons to preserve nations against multinational bids for global hegemony.
Six centuries of printmaking offered visitors a visual display of the genre in all of its splendor. Christof Metzger, the Albertina’s curator, created an exemplary exhibition.
Within the classical realm, the range and virtuosity of composition demands an equal measure of interpretation. Hannah Eisendle’s performance illustrated this with a spirited and novel direction.
The Magnificent Ambersons engages with issues of technological and social change in modernity. But it is also a very human story, focusing on a single family, detailing the lives of its members as change rocks their way of life
In addition to being Verdi’s last work, Falstaff has also been widely considered his least characteristic composition. Its memorable scenes and lively characters have allowed it to hold the stage ever since its 1893 premiere.
The Vienna Philharmonic’s visits to New York date back to 1956—a fine example of cultural diplomacy in the Cold War world and an enduring tradition.
Both the novel and the memoir touch on themes that are sadly out of fashion today: the brotherhood of arms crossing ethnic and cultural divides, individual bravery in battle, and the manly quest to build empires.
MasterVoices does not appear to be planning any Gilbert and Sullivan next season, but it should consider exploring that repertoire as it moves on. Events in Britain might just demand it.
A new book by ethicist Nigel Biggar argues that post-colonial guilt has been blown out of proportion.
Sonya Yoncheva lacked that flame in crucial moments, though comparative listening across performances suggests that Maurizio Benini’s pedestrian conducting may well have been the culprit.
The old cowboy has had the great luck to be written and illustrated by people who love and believe in the original Luke, people who recognize that we still need joyful stories about heroes.
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