Mary Harrington’s scorching polemic urges us to rediscover feminism’s reactionary potential. 

In Outside the Gates, Hackett reveals to us that transcendence is woven into social reality, most especially in that highest friendship which tyranny seeks to root out: the friendship of virtue.

Counter Wokecraft makes the case that woke strategies, “while tricky and manipulative,” are also “comprehensible, predictable, and able to be countered.”

Stories—whether of real or fictional events—hold a unique place in human life, delighting, causing wonder, captivating the imagination, purging the emotions, and even encouraging moral growth.

The recital left the overall impression of a solid and earnest singer with strong ambitions that may well be fulfilled in the march of time.

Curated by Eric Dubois, this exhibit holds a looking glass up to the earliest works of Blake and Mortimer’s creator, portraying him as a modern-day Homeric storyteller.

The reason why Lance Morrow matters is that he may well be the last living bridge to a bygone age in journalism.

While Biggar ultimately concludes that progressive discussions of colonialism are flawed and overly simplistic, he does not fall into the opposite extreme in favor of every aspect of Western colonialism.

Thanks to authors like Hazony, we can see more clearly the deceptive arguments of those who condemn the nation-state to either extinction by the verdict of history, or to extermination by means of a brutal imperial policy.

Following an unfortunate trend in European stage production, Warlikowski reduces Macbeth to a psychiatric diagnosis, with the characters exploring their pathologies in the confines of a mental institution.

Lessons from the shocking memoir of a top South African electricity executive.

Rigoletto has “all the characteristics of a perfect film noir”— seduction, murder, anonymous identities, spooky nocturnal settings, casual violence, unapologetic brutality, and, when done right, some dark humor.