Brinkmann’s book is a respectful, thoughtful tome seeking to question faith honestly. He freely admits that he is simultaneously sceptical on issues of faith and belief and deeply fascinated by religion.
Henry James praised Ivan Turgenev because, though the man possessed a pessimistic streak, in his novels he painted tender pictures that bled sympathy for all.
Sir Gawain is a dramatic tale of a knight’s bravery and chastity in the face of temptation and, crucially, the distinctive experience of grace and forgiveness that Christ’s birth, death, and resurrection has made possible.
DiLorenzo’s ‘Politically Incorrect Guide’ comes at a time in which the majority of young people in the West are predicted to experience less freedom and economic prosperity than their parents or grandparents enjoyed.
Conductor Keri-Lynn Wilson’s deft, efficient gestures captured the performance with balance between its driving sonic eccentricities and subtler and more contemplative passages.
Today, it is all too common to prize self-sufficiency as a virtue—a virtue by nature inaccessible to the sick and to the disabled, to pregnant women and to the elderly, and to children of any age.
How did we get here? As Trueman explains it, three intertwining concepts and their origins must be understood to grasp our current culture: expressive individualism, the sexual revolution, and our social imaginary.
“Face to Face with Death. Hugo van der Goes, Old Masters, New Looks” at Sint-Janshospitaal in Bruges is open for visitors until February 5th, 2023.
“We don’t need any more evil in the world. We need a lot more reckoning with it.”
The EU’s business model has been to put the age-old laws of politics to the test, argues Stefan Auer in his latest book. To survive, it needs to heed them instead.
Erdoğan either has the best of intentions for Turkey or is simply in love with power. The fact that he has altered the presidential voting system and extended his term of office in the process suggest the latter.
London’s National Gallery ventured to assemble what it described as the first exhibition outside Italy “to encompass all aspects of Raphael’s artistic activity across his career.”
