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The Case for Postliberal Feminism
Mary Harrington’s scorching polemic urges us to rediscover feminism’s reactionary potential.
Mary Harrington’s scorching polemic urges us to rediscover feminism’s reactionary potential.
In Outside the Gates, Hackett reveals to us that transcendence is woven into social reality, most especially in that highest friendship which tyranny seeks to root out: the friendship of virtue.
Counter Wokecraft makes the case that woke strategies, “while tricky and manipulative,” are also “comprehensible, predictable, and able to be countered.”
Stories—whether of real or fictional events—hold a unique place in human life, delighting, causing wonder, captivating the imagination, purging the emotions, and even encouraging moral growth.
The recital left the overall impression of a solid and earnest singer with strong ambitions that may well be fulfilled in the march of time.
Curated by Eric Dubois, this exhibit holds a looking glass up to the earliest works of Blake and Mortimer’s creator, portraying him as a modern-day Homeric storyteller.
The reason why Lance Morrow matters is that he may well be the last living bridge to a bygone age in journalism.
While Biggar ultimately concludes that progressive discussions of colonialism are flawed and overly simplistic, he does not fall into the opposite extreme in favor of every aspect of Western colonialism.
Thanks to authors like Hazony, we can see more clearly the deceptive arguments of those who condemn the nation-state to either extinction by the verdict of history, or to extermination by means of a brutal imperial policy.
Following an unfortunate trend in European stage production, Warlikowski reduces Macbeth to a psychiatric diagnosis, with the characters exploring their pathologies in the confines of a mental institution.
The future need not be bleak, as Benson’s novel reminds us.
Although at first glance, The Island Without Seasons is merely an adventure story about a man trying to discover the lost city of Atlantis, it is ultimately about how the man’s search allows him to better understand himself and the world in which he lives.
In program interviews, director Marcin Łakomicki and conductor Markus Stenz suggest that Holländer is really about sexism in modern society and a reinforcement of gender roles. A modern European man educated in what passes for the humanities today might think so. But the deeper contexts are ignored.
A seeming joke about two movies, Barbie and Oppenheimer, is actually pointing to a renewal of American cinema that may be on the horizon.
It must not be forgotten that these people are less concerned with producing energy in ways that will allow us to maintain our standards of living and make economic progress than with being ‘anti-capitalist.’
The problem for libertarians is not that their ideology cannot inspire policy reform. Their problem is their lack of courage.
Benedict Rogers drives home the point that, in addition to the economic, social, and geopolitical concerns about China, there are human beings who are suffering as a result of lukewarm activity or, worse, benign acquiescence.
Hungary has produced singers who built international careers, and two of them were on hand to fill leading roles here.
Savvy and erudite writer Eduard Habsburg-Lothringen presents some essential principles of his family that lead to a better life … not just for princes, but for everyone.
A Europe without a common identity founded on Christian values is built on sand.
The series, which focuses on the adventures of the daring duo of Francis Blake and Phillip J. Mortimer, has a feeling, a style, all its own. Edgar P. Jacobs and his successors craft fully fleshed-out worlds that draw readers in, making us sad to leave at the end of each work.
Tiezzi’s production eschews the interpretive fripperies and psychological baggage common in contemporary Wagner productions in favor of appealing abstractions.
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