Utopia: The Perennial Heresy
For the Utopian, a unified and uniform mass of humanity is enabled by the “abolition of war,” which in turn can only be safeguarded by a “supranational agency, ultimately a world government.”
For the Utopian, a unified and uniform mass of humanity is enabled by the “abolition of war,” which in turn can only be safeguarded by a “supranational agency, ultimately a world government.”
Strauss’s opera prizes innocence in a time of chaos, beauty over disorder, and the transcendence of suffering. Daphne is precisely the work that could lend itself to the revitalization of an opera company.
Banalysis was published in the shadow of the tsunami of stupidity that became the ‘pandemic’ and all that ensued. It did not get the attention it deserved then. It deserves to be read now.
The Spear serves as a lectio divina of sorts, that is, as an opportunity to imagine oneself in the action of the Holy Scriptures.
Ultimately, the founding and the success of the State of Israel can only be described in religious terms: the flourishing existence of today’s Israel is a miracle.
A step up from the very literal productions usually seen here, this co-production by Opéra de Monte-Carlo and San Francisco Opera removes the action from its usual eighteenth-century setting to the fateful year of 1914.
Pogo’s use of politics complements the other layers of art and satire perfectly. In a world where we are surrounded by bad art made for purely political purposes, Walt Kelly’s work is a breath of fresh air.
Bauerlein demonstrates in clear, elegant prose that a common frame of reference no longer exists, and the result for Millennials and Gen Z has been a disaster.
One only hopes that the current wave of political masochism in America will crest and that elites will understand that you cannot build a stable future by destroying the past or demonizing your heritage.
This is the Madama Butterfly we know and love—almost to the point of guilty pleasure.
An apt but uncharitable description of Medea’s incongruities might paraphrase Woody Allen’s description of a monster as a being with the body of a crab and the head of a social worker to say that Cherubini’s work sounds like a Mozart opera with a Beethoven overture.
Social justice activism is a religion in that it provides a set of beliefs. These beliefs are to be accepted unquestioningly, and a common language develops between the people involved by which they may identify one another and interrogate and expel heretics.
Pell’s Prison Journal provides an inspiring example of how to endure attacks while loving our persecutors. Perhaps his serene approach can show our post-Christian civilization the beauty of Christian love and forgiveness.
Alain de Botton’s book tells us that we can and should regain hope about the future of our homes and cities. Architecture has been in a sad state in the West for many decades, but there are also glimmers of promise.
Scholdt pays tribute to both the aesthetic achievements and the courage of writers who were persecuted and ostracized during the Nazi era. He also considers the significance of their resistance in the Nazi years for our own tumultuous times.
Through scarcely credible naïveté, Robinson seems to believe that he has disposed of Bryant’s ethical pretensions. His hubris calls to mind those self-destructive British Labour parliamentarians who elicited the jibe that, when granted a choice of weapons, they always selected boomerangs.
Nothing seems wrong with a discerning use of Netflix. But the company’s final goals, Chanot wishes to remind us, are anything but harmless and are bound to destroy the virtues we care to preserve within our families.
The film does a manful job depicting conditions from which few people escape alive, and no soul remains unscarred.
Brinkmann’s book is a respectful, thoughtful tome seeking to question faith honestly. He freely admits that he is simultaneously sceptical on issues of faith and belief and deeply fascinated by religion.
Henry James praised Ivan Turgenev because, though the man possessed a pessimistic streak, in his novels he painted tender pictures that bled sympathy for all.
Sir Gawain is a dramatic tale of a knight’s bravery and chastity in the face of temptation and, crucially, the distinctive experience of grace and forgiveness that Christ’s birth, death, and resurrection has made possible.
DiLorenzo’s ‘Politically Incorrect Guide’ comes at a time in which the majority of young people in the West are predicted to experience less freedom and economic prosperity than their parents or grandparents enjoyed.
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